Still, the two, who are pianists and who performed together, did not have
retirement in mind. They became piano-competition impresarios by founding the
New York Piano Competition for musicians ages 14 to 18.
``We decided to expand our horizons into a national project,'' Mr. Horowitz
said in a telephone interview.
But it would not be a replica of existing competitions, Mr. Stecher continued.
The two, who admit to ``hovering around 70,'' set about creating a ``different
model.'' It would not, they said, eliminate contestants along the way, but
instead would allow all the youngsters to continue performing, thus benefiting
from accompanying coaching and master classes. It would also reward every participant
with at least a $1,000 scholarship, with more substantial amounts going to
six major prize winners.
More than 125 pianists applied. Twenty-two from as far away as Washington
State and Texas, but none from Long Island, were asked to contend.
The first competition, held in the summer of 2002, is the subject of ``Speaking
With Music,'' a documentary that will receive its world premiere today at
3 p.m. on Channel 21.
The film was made by Lucy Bruell, a former student at the music school whose
previous films include ``A Visit With the Big Apple Circus Clown Care Unit,''
which won the grand award at the New York International Film and Video Festival.
Besides detailing the performing and teaching careers and goals of Mr. Stecher
and Mr. Horowitz, and the thinking of the judges, the film about the competition
explores the motivations and aspirations of the 22 young competitors and
the mothers who came to New York with them.
Ms. Bruell's involvement stemmed from an accidental meeting on Broadway in
Manhattan, Mr. Horowitz recalled.
``Walking in the city, we're often stopped by former students, which is what
happened with Lucy, who was Mel's most brilliant student, not necessarily
in piano, but certainly intellectually,'' he said.
When Ms. Bruell, 51, told them that after a career in broadcast journalism,
she had become a filmmaker specializing in professional educational material,
they invited her to document their competition.
``But not just the performances,'' she said. ``I wanted to find out from
the kids and their parents why it was classical music over MTV and rock.
What drove them to do this?''
Over five days of filming, she said, she found some answers to those questions.
The youngsters, she said, were ``articulate, focused and passionate about
what they are doing.''
The camera often vividly captures these answers. For example, there is the
mother who points out her son's shaking hands and says competitions are ``a
training ground for performances.''
Then, there is her son, Adam Golka, who says, ``I always have music going
through my head.''
This youngster did not win one of the major prizes, but Mr. Stecher said
he recently won first prize in the Shanghai Competition for pianists ages
17 to 32, and will be performing throughout China.
``Performing, that's the important thing about the competition,'' Mr. Horowitz
said. ``When Mel and I were just starting out, there were 3,500 professional
venues for young musicians. Today there are maybe 300. And it's important
for young people to perform, for when you perform you learn.''
The New York Piano Competition is currently accepting applications for its
second event, to be held in June. Information: (212) 581-8380.